Kobel's Art Weekly 10 2024
Maximilíano Durón selects the ten best stands at Frieze LA for Artnews, while Francesca Aton looks at the most prominent celebrities and Karen K. Ho summarises the sales reports from the exhibiting galleries. It is to be hoped that the fair is not as superficial as this coverage of it. ... read more
Kobel's Art Weekly 9 2024
A prominent art world figure has launched a new art fair in an unusual location. Nicole Scheyerer visited the Stage at the Festspielhaus Bregenz for the FAZ on 24 February: "Behind the premiere is the fair organiser Renger van den Heuvel: in Vienna, the native Dutchman ran the Viennacontemporary before launching his own event in 2021 with the Spark Art Fair. He left after the ... read more
Kobel's Art Weekly 8 2024
The Investec Cape Town Art Fair is expanding its position, observes Osman Can Yerebakan for Artnews: "The vernissage saw a crowd of around 5,000 attendees which included largely local collectors taking an early look at 400 works mainly by African artists and artists its diasporas. [...] Laura Vincenti, the fair's director, described the last decade as 'a learning curve' to ... read more
Kobel's Art Weekly 7 2024
Whereas the first two months of the year used to be a largely fair-free period, events are now particularly crowded around the last week of January and the first two weeks of February. The individual art fairs therefore have to vie for media attention. Maximilíano Durón provides Artnews readers with what he considers to be the ten best stands in ... read more
Kobel's Art Weekly 6 2024
With its not entirely voluntary move to a new location from next March, Art Rotterdam also wants to become more attractive in terms of content. However, in the Tagesspiegel Nicole Büsing and Heiko Klaas also see dark clouds on the horizon regarding the future of the Mondriaan Fund's accompanying exhibition "Prospects": "The Netherlands still has an exemplary support system for ... read more
Kobel's Art Weekly 5 2024
The circumstances surrounding the twelfth Artgèneve are unpleasant. It had been known for some time that its founding director Thomas Hug, who until then had been regarded as extremely successful, had been dismissed without notice last August. Shortly before Artgenève opened, numerous French-language media, including Sylvia Revello from Le Temps, reported on the background and accusations of forgery, fraud, mismanagement ... read more