Kobel's Art Weekly 11 2023
Scott Reyburn describes in the New York Times how the Tefaf in Maastricht is holding its own in the art market: "But arguably the biggest challenge TEFAF faces is the way the pendulum of collecting taste has swung decisively toward contemporary art in recent years, putting pressure on fairs with a historical focus, such as Masterpiece in London and TEFAF's ... read more